War Horse is the best play I've ever seen, and the only play I've felt compelled to return to not once, but twice. In all honesty, I'd love to see it several more times. That's how touching, heart-wrenching, and mesmerizing the story and telling of War Horse is. Consequently, when I discovered the story would become a film, directed by Stephen Spielberg, I was apprehensive and yet eager to see it.
I had logicial concerns. How would real animals compare to the puppets? How would the movie be without the wonderful music from the play? Would the film have the same emotional impact as the live performance?
All of these concerns were alleviated from the moment Joey, aka "War Horse," was born. The movie is magical in its own way. As a different medium, the story plays out at times unlike the play would have, but these changes are welcomed and necessary to preserve the integrity of the story. There were plot differences, but I imagine many of these came from the book the play and movie were based on. For my thoughts on the play itself, see my previous blog posts about the New York production and the London production.
Ultimately, in the film, the goose still achieved comedic relief, the acting was still stellar, the horse playing Joey still shined (bravo on the casting of the animals!), and a song from the play even appeared in the background of one scene. Near the end, the whole audience was on the edge of their seats, eagerly awaiting to see how the plot unfolded. The film may not have been live theatre, but, like the play, the film was incredibly compelling. All in all, I thoroughly enjoyed it.
One of the best comparisons I've read about the the play vs. the film is from Howard Sherman. I think he made several great points, and like him, I am now eager to read the book as a follow up to seeing both the play and film.
~ LBD
Theatre Quote of the Moment: "Only remembered for what we have done." ~ War Horse (The play)
Friday, December 30, 2011
Thursday, December 29, 2011
Best Theatre Experiences of 2011
Only a couple days left in 2011. It's been a wonderful, busy, and life-changing year for me. I started my graduate degree in arts administration while working full-time, saw more shows this year than I've ever fit into one year before, and discovered friends who love theatre as much as I do along the way. I followed my heart in 2011, and I'm amazed at where it led.
There's been a lot of articles about the top 10 theatre moments in 2011, and I've been inspired to reflect on my own "top 10" as a result. I've been so fortunate this year in the realm of theatre that I found this exercise excruciating. I'm a terrible critic since I tend to love at least some part of everything I see. I'd rather let people know about all the great moments and reedeeming values even the shows I don't love as much as others have.
The Theatre Junkie's Top 10 Theatre Experiences of 2011
1. Les Miserables Both in the West End and on Tour for the 25th Anniversary Production in the U.S.
Anyone who knows me has some understanding of just how much I love this show. It can't be anything but number 1 for me. It's the show that got me into theatre and shaped my life. Why was it so special in 2011? For starters, I had the pleasure of seeing three talented Jean Valjeans: Alfie Boe, J. Mark McVey, and Joe Tokarz. Each special and worth seeing. I had a blast getting to know both the West End and US Tour cast pretty well in September and October. As this is a huge ensemble show, every person plays a key part, and both the casts I saw were spectacular. They put their hearts into their performances every night, and I was touched every time I saw the show.
2. “We Beseech Thee” in the Broadway Revival of Godspell
I hadn't seen Godspell until it came to Broadway this year, but I am so thankful it did. I thoroughly enjoyed myself the entire show, especially during Nick Blaemire's big number "We Beseech Thee." Check my earlier blog post for more details. I think most people who've seen the show can agree that the choreography in this number is impressive. Plus, the tune is pretty catchy too.
3. Marc Kudisch’s Cabaret, What Makes Me Tick
In an effort to expand my theatre attendance and involvement this year, I attended my first cabaret at Signature Theatre in Arlington, Virginia, and I chose to see Marc Kudisch. I couldn't have been more astounded by his song choices, range, and personal stories. Based on the audience reaction, I don't think I was the only one in awe and inspired. After his cabaret, I explored what makes me tick, and wrote a subsequent blog post about my findings. He's got quite a resume and quite a voice. With any luck, I'll see him in a Broadway show next year.
4. Next to Normal National Tour
Considering Next to Normal is one of my favorite shows (after Les Mis of course), I was pleased to hear a national tour would be coming my way and include Alice Ripley. I saw it as many times as I could and each time was fantastic. As there are only six people in the cast, each role is vital. This tour was very well cast. My favorite character, Henry, was played incredibly well by Preston Sadlier. I was so happy to see Jeremy Kushnier, Emma Hunton, and Asa Somers in the cast as well. Electrifying music. A real, honest story. It truly is a feel-everything musical.
5. Phantom of the Opera in the West End with the 25th Anniversary Cast
Not only did I get to see the first musical I ever saw for the third time live this year, but I got to see it in its original home complete with leads fresh from Les Mis. John Owen-Jones, Katie Hall, and Killian Donnelly were a fabulous trio (although parts were a little strange to watch since John and Katie previously played father and daughter). I had never seen a non-touring production of Phantom and it had been well over a decade since I saw the show, so I was overwhelmed by the music, costumes, scenery...pretty much everything.
6. War Horse in the West End and at the Lincoln Center
I have to give Matt Doyle some credit here since when he took on a lead role in the Lincoln Center production, I was finally determined to see this show. I was blown away by the cast, the story, the music, and, naturally, the puppetry. I always knew I would enjoy this play, but I didn't realize how much. I made a special point to see the show while I was in London, knowing the production varied from the Broadway version. I also made sure I caught the original cast again before several cast members leave next year. Not that I don't think the next cast will be great, but being attached to the current cast, I didn't want to miss my chance. I recommend seeing this play. It won the Tony for Best Play, and this remarkable show definitely deserved it.
7. The Return of Oklahoma to Arena Stage in D.C.
One of my wishes from 2010 was that I could see Oklahoma again at Arena Stage. Then, Arena Stage decided to bring back the show with several members of the original cast :o) Instead of seeing this show only once, I got see it six times, five this past year. You don't usually hear people describing Oklahoma as exciting, but this production was. The cast was ideal. The direction and choreography were superb. If this production happens to make it to Broadway next year, go see it!
8. Sutton Foster Performing “Anything Goes” in Anything Goes on Broadway
The first Broadway show I ever saw was Annie and Sutton Foster happened to be in the cast. She was also the first Eponine I ever saw in Les Mis when I was six. So...we have a history, and I am very fond of her. She's insanely talented. A genuine triple-threat. When I heard she was going to be starring in Anything Goes, the show was placed at the top of my must-see Broadway shows list. She didn't disappoint and earned antoher Tony. The highlight of the show for me is the show's title song "Anything Goes." What a great moment!
9. Aerial Sequence During the Spiderman: Turn Off the Dark Finale
I've seen Spiderman three times, and each performance was different. However, one of the more consistent parts of the show is the aerial fight between the Green Goblin (Patrick Page) and Spiderman (Reeve Carney), which is currently the show's finale. When performed without any glitches, the scene is mesmerizing and you can see what Julie Taymor had in mind for Spiderman on Broadway. It's thrilling for all ages.
10. Jan Maxwell Singing “Could I Leave You?” in Follies at the Kennedy Center and on Broadway
This moment practically made my jaw drop. Jan Maxwell's peformance was stunning. The whole show was beautiful and I loved the entire, star-studded cast, but this part was the highlight for me. WOW.
Honorable Mentions
1. Alexandra Silber’s Cabaret, London Still, at the Kennedy Center
2. Matt Shingledecker, Adam Chanler-Berat, and Annaleigh Ashford as Roger, Mark, and Maureen in Rent Off-Broadway
3. Euan Morton’s Portrayal of Leo Frank in Parade at Ford’s Theatre in D.C.
4. Equivocation at Arena Stage in D.C.
5. Hairspray at Signature Theatre in Arlington, Virginia
What a year. There were so many other shows and theatre-related concerts that I would have loved to see live, but I didn't get the opportunity to. Theatre is "in the moment" and it's impossible to see everything everywhere unfortunately. Looking forward to what next year has to offer!
~LBD
Musical Theatre Quote of the Moment: "Even if you're little you can do a lot, you mustn't let a little thing like little stop you." ~ Matilda
There's been a lot of articles about the top 10 theatre moments in 2011, and I've been inspired to reflect on my own "top 10" as a result. I've been so fortunate this year in the realm of theatre that I found this exercise excruciating. I'm a terrible critic since I tend to love at least some part of everything I see. I'd rather let people know about all the great moments and reedeeming values even the shows I don't love as much as others have.
The Theatre Junkie's Top 10 Theatre Experiences of 2011
1. Les Miserables Both in the West End and on Tour for the 25th Anniversary Production in the U.S.
Anyone who knows me has some understanding of just how much I love this show. It can't be anything but number 1 for me. It's the show that got me into theatre and shaped my life. Why was it so special in 2011? For starters, I had the pleasure of seeing three talented Jean Valjeans: Alfie Boe, J. Mark McVey, and Joe Tokarz. Each special and worth seeing. I had a blast getting to know both the West End and US Tour cast pretty well in September and October. As this is a huge ensemble show, every person plays a key part, and both the casts I saw were spectacular. They put their hearts into their performances every night, and I was touched every time I saw the show.
2. “We Beseech Thee” in the Broadway Revival of Godspell
I hadn't seen Godspell until it came to Broadway this year, but I am so thankful it did. I thoroughly enjoyed myself the entire show, especially during Nick Blaemire's big number "We Beseech Thee." Check my earlier blog post for more details. I think most people who've seen the show can agree that the choreography in this number is impressive. Plus, the tune is pretty catchy too.
3. Marc Kudisch’s Cabaret, What Makes Me Tick
In an effort to expand my theatre attendance and involvement this year, I attended my first cabaret at Signature Theatre in Arlington, Virginia, and I chose to see Marc Kudisch. I couldn't have been more astounded by his song choices, range, and personal stories. Based on the audience reaction, I don't think I was the only one in awe and inspired. After his cabaret, I explored what makes me tick, and wrote a subsequent blog post about my findings. He's got quite a resume and quite a voice. With any luck, I'll see him in a Broadway show next year.
4. Next to Normal National Tour
Considering Next to Normal is one of my favorite shows (after Les Mis of course), I was pleased to hear a national tour would be coming my way and include Alice Ripley. I saw it as many times as I could and each time was fantastic. As there are only six people in the cast, each role is vital. This tour was very well cast. My favorite character, Henry, was played incredibly well by Preston Sadlier. I was so happy to see Jeremy Kushnier, Emma Hunton, and Asa Somers in the cast as well. Electrifying music. A real, honest story. It truly is a feel-everything musical.
5. Phantom of the Opera in the West End with the 25th Anniversary Cast
Not only did I get to see the first musical I ever saw for the third time live this year, but I got to see it in its original home complete with leads fresh from Les Mis. John Owen-Jones, Katie Hall, and Killian Donnelly were a fabulous trio (although parts were a little strange to watch since John and Katie previously played father and daughter). I had never seen a non-touring production of Phantom and it had been well over a decade since I saw the show, so I was overwhelmed by the music, costumes, scenery...pretty much everything.
6. War Horse in the West End and at the Lincoln Center
I have to give Matt Doyle some credit here since when he took on a lead role in the Lincoln Center production, I was finally determined to see this show. I was blown away by the cast, the story, the music, and, naturally, the puppetry. I always knew I would enjoy this play, but I didn't realize how much. I made a special point to see the show while I was in London, knowing the production varied from the Broadway version. I also made sure I caught the original cast again before several cast members leave next year. Not that I don't think the next cast will be great, but being attached to the current cast, I didn't want to miss my chance. I recommend seeing this play. It won the Tony for Best Play, and this remarkable show definitely deserved it.
7. The Return of Oklahoma to Arena Stage in D.C.
One of my wishes from 2010 was that I could see Oklahoma again at Arena Stage. Then, Arena Stage decided to bring back the show with several members of the original cast :o) Instead of seeing this show only once, I got see it six times, five this past year. You don't usually hear people describing Oklahoma as exciting, but this production was. The cast was ideal. The direction and choreography were superb. If this production happens to make it to Broadway next year, go see it!
8. Sutton Foster Performing “Anything Goes” in Anything Goes on Broadway
The first Broadway show I ever saw was Annie and Sutton Foster happened to be in the cast. She was also the first Eponine I ever saw in Les Mis when I was six. So...we have a history, and I am very fond of her. She's insanely talented. A genuine triple-threat. When I heard she was going to be starring in Anything Goes, the show was placed at the top of my must-see Broadway shows list. She didn't disappoint and earned antoher Tony. The highlight of the show for me is the show's title song "Anything Goes." What a great moment!
9. Aerial Sequence During the Spiderman: Turn Off the Dark Finale
I've seen Spiderman three times, and each performance was different. However, one of the more consistent parts of the show is the aerial fight between the Green Goblin (Patrick Page) and Spiderman (Reeve Carney), which is currently the show's finale. When performed without any glitches, the scene is mesmerizing and you can see what Julie Taymor had in mind for Spiderman on Broadway. It's thrilling for all ages.
10. Jan Maxwell Singing “Could I Leave You?” in Follies at the Kennedy Center and on Broadway
This moment practically made my jaw drop. Jan Maxwell's peformance was stunning. The whole show was beautiful and I loved the entire, star-studded cast, but this part was the highlight for me. WOW.
Honorable Mentions
1. Alexandra Silber’s Cabaret, London Still, at the Kennedy Center
2. Matt Shingledecker, Adam Chanler-Berat, and Annaleigh Ashford as Roger, Mark, and Maureen in Rent Off-Broadway
3. Euan Morton’s Portrayal of Leo Frank in Parade at Ford’s Theatre in D.C.
4. Equivocation at Arena Stage in D.C.
5. Hairspray at Signature Theatre in Arlington, Virginia
What a year. There were so many other shows and theatre-related concerts that I would have loved to see live, but I didn't get the opportunity to. Theatre is "in the moment" and it's impossible to see everything everywhere unfortunately. Looking forward to what next year has to offer!
~LBD
Musical Theatre Quote of the Moment: "Even if you're little you can do a lot, you mustn't let a little thing like little stop you." ~ Matilda
Saturday, November 19, 2011
Come Sing About Love!
Last weekend, I had the pleasure of seeing Godspell on Broadway. The new revival is full of energy, inspiration, and heart. I’ve never seen a more engaging or encouraging show.
The show follows the book of Matthew in the Bible, and Hunter Parrish (Weeds, Spring Awakening, 17 Again) stuns as Jesus. He shares the stage with a small but remarkable ensemble of other young actors. Each ensemble member has a big solo number. I enjoyed several of the numbers in particular – “Prepare Ye, the Way of the Lord,” “Day by Day,” and “Light of the World,” but the highlight of the show for me was “We Beseech Thee,” led by the magnificent Nick Blaemire. During the song, the cast manages to sing excellently while jumping on trampolines – no easy task. You might recognize some ensemble members from TV appearances, like Anna Maria Perez de Tagle from Camp Rock and Telly Leung from Glee.
The shows joyful message will leave you aching for more. I loved it so much that I got tickets immediately to return three times, which is a lot considering I don’t live in New York City. I was especially lucky the night I went because I won the post-show lotto and received a free backstage tour. I saw the dressing rooms, props, stage, and backstage. I even met Hunter Parrish, Anna Maria Perez de Tagle and Telly Leung on stage! The show incorporates trampolines, which I had the pleasure of testing the bounce on, and water pits, which I checked out because I could. After seeing what’s behind Godspell, I want to see it again even more.
The show follows the book of Matthew in the Bible, and Hunter Parrish (Weeds, Spring Awakening, 17 Again) stuns as Jesus. He shares the stage with a small but remarkable ensemble of other young actors. Each ensemble member has a big solo number. I enjoyed several of the numbers in particular – “Prepare Ye, the Way of the Lord,” “Day by Day,” and “Light of the World,” but the highlight of the show for me was “We Beseech Thee,” led by the magnificent Nick Blaemire. During the song, the cast manages to sing excellently while jumping on trampolines – no easy task. You might recognize some ensemble members from TV appearances, like Anna Maria Perez de Tagle from Camp Rock and Telly Leung from Glee.
The shows joyful message will leave you aching for more. I loved it so much that I got tickets immediately to return three times, which is a lot considering I don’t live in New York City. I was especially lucky the night I went because I won the post-show lotto and received a free backstage tour. I saw the dressing rooms, props, stage, and backstage. I even met Hunter Parrish, Anna Maria Perez de Tagle and Telly Leung on stage! The show incorporates trampolines, which I had the pleasure of testing the bounce on, and water pits, which I checked out because I could. After seeing what’s behind Godspell, I want to see it again even more.
Tuesday, November 15, 2011
Love Is Everlasting
It's been a while, and that's largely because I've been supporting my love, my passion - musical theatre. Most of October, I spent my free time seeing the Les Miserables 25th Anniversary Tour. My love for that show is endless and amazingly, it keeps on growing. J. Mark McVey, the current John Valjean, does an excellent job of portraying the story's themes of love, hope, and redemption. Les Miserables genuinely depicts one's ability to create a better life despite harsh, uncaring circumstances.
The entire ensemble is incredible. Chasten Harmon, Eponine, sings "On My Own" with amazing vigor. When she sings "pretending," I got chills every time, and I've seen her as Eponine 13 times. Betsy Morgan's Fantine is heartfelt, strong, and honest. Her rendition of "Dreamed a Dream" was magical and moving. Every night watching her die was very moving, and I loved when she returned from the dead to welcome Jean Valjean to Heaven. Andrew Varela almost made me a convert to Team Javert, almost. He rejuvenated the role of Javert and when he sang "Stars," I shivered from the power and talent behind his words. Joseph Spieldenner was the best Grantaire I have ever seen, and I have seen the show 31 times. His Grantaire had heart, courage, and joy. Watching him as Gavroche died was one of the highlights of the show. He also played a blind man exquisitely during "Master of the House." I looked forward to hearing him sing "Drink With Me" at every performance. I was fortunate to see many of Justin Scott Brown's final performances as Marius. He resembled the character portrayed in Victor Hugo's books magnificently. One of my favorite additions to this new version of the show was Kylie McVey, who played a young girl that was added to the ensemble. She is wise beyond her eight years. Her character made the show more believeable and realistic overall.
The show has many lyrics that are touching. My favorite line is "...for love is everlasting, and remember, the truth that once was spoken, to love another person is to see the face of God," I loved the tour so much, I already have plans to see it multiple times next year.
The entire ensemble is incredible. Chasten Harmon, Eponine, sings "On My Own" with amazing vigor. When she sings "pretending," I got chills every time, and I've seen her as Eponine 13 times. Betsy Morgan's Fantine is heartfelt, strong, and honest. Her rendition of "Dreamed a Dream" was magical and moving. Every night watching her die was very moving, and I loved when she returned from the dead to welcome Jean Valjean to Heaven. Andrew Varela almost made me a convert to Team Javert, almost. He rejuvenated the role of Javert and when he sang "Stars," I shivered from the power and talent behind his words. Joseph Spieldenner was the best Grantaire I have ever seen, and I have seen the show 31 times. His Grantaire had heart, courage, and joy. Watching him as Gavroche died was one of the highlights of the show. He also played a blind man exquisitely during "Master of the House." I looked forward to hearing him sing "Drink With Me" at every performance. I was fortunate to see many of Justin Scott Brown's final performances as Marius. He resembled the character portrayed in Victor Hugo's books magnificently. One of my favorite additions to this new version of the show was Kylie McVey, who played a young girl that was added to the ensemble. She is wise beyond her eight years. Her character made the show more believeable and realistic overall.
The show has many lyrics that are touching. My favorite line is "...for love is everlasting, and remember, the truth that once was spoken, to love another person is to see the face of God," I loved the tour so much, I already have plans to see it multiple times next year.
Saturday, October 8, 2011
Love Changes Everything
Sometimes, I reflect on the shows that have deeply affected me. Usually, I think back at how I felt after my first time experiencing the show. How old was I? Where was I? What specifically moved me? Has this experience changed the course of my life? In particular, the last question makes me pause, as I realize the answer will always be “yes.” Like the Aspects of Love song explains, “love changes everything,” and my love of theatre has profoundly changed my life.
This love has inspired me to see as many shows as possible, connect with fellow theatre enthusiasts, and transform my career by pursuing a MS in arts administration and an arts management profession. Not only has theatre influenced my friendships, but it has influenced where I am willing to live and where I choose to vacation. Moreover, musicals especially motivate me to live a better, more dynamic and honest life.
The best example of this for me is Les Miserables. Anyone familiar with the show, based on Victor Hugo’s book, will recall Jean Valjean’s journey of redemption, grace, and love. I learned of the story and the musical when I was five, and I first saw the show when I was six. Every time I see the musical or read the book, I understand more about living a righteous life. Furthermore, each lyric’s expression of despair, isolation, ambition, desire, love or hope inspires me as I struggle through the ups and downs of life.
The new 25th anniversary production of Les Miserables incorporates fresh direction and orchestrations that invigorate the always touching musical. I’ll always love the original interpretation of the musical, but the new version presents the powerful message, music, and story Les Mis in an equally rousing manner. An updated tour of Les Miserables is currently running in the United States, and I highly recommend you see it if you get the opportunity. Each time I see Les Mis, I am in awe of how God’s love changes Jean Valjean’s life. Even though the show is entitled “The Miserables,” I always leave the theatre feeling fulfilled and overjoyed.
This love has inspired me to see as many shows as possible, connect with fellow theatre enthusiasts, and transform my career by pursuing a MS in arts administration and an arts management profession. Not only has theatre influenced my friendships, but it has influenced where I am willing to live and where I choose to vacation. Moreover, musicals especially motivate me to live a better, more dynamic and honest life.
The best example of this for me is Les Miserables. Anyone familiar with the show, based on Victor Hugo’s book, will recall Jean Valjean’s journey of redemption, grace, and love. I learned of the story and the musical when I was five, and I first saw the show when I was six. Every time I see the musical or read the book, I understand more about living a righteous life. Furthermore, each lyric’s expression of despair, isolation, ambition, desire, love or hope inspires me as I struggle through the ups and downs of life.
The new 25th anniversary production of Les Miserables incorporates fresh direction and orchestrations that invigorate the always touching musical. I’ll always love the original interpretation of the musical, but the new version presents the powerful message, music, and story Les Mis in an equally rousing manner. An updated tour of Les Miserables is currently running in the United States, and I highly recommend you see it if you get the opportunity. Each time I see Les Mis, I am in awe of how God’s love changes Jean Valjean’s life. Even though the show is entitled “The Miserables,” I always leave the theatre feeling fulfilled and overjoyed.
Thursday, September 29, 2011
What Makes Me Tick
Exactly two months ago, I saw an entertaining and inspiring Marc Kudisch concert entitled "What Makes Me Tick." As he explained what makes him tick, I started to ponder what makes me tick. After taking some time to really think about it, I came up with six things that make me tick: Experience, Creation, Exploration, Connection, Expression, and Activity.
Experience
Experiencing life, love, joy...living is about experiencing. I try to experience something joyful every day. My favorite experience is watching a musical. My favorite musical to experience is Les Miserables, not surprisingly. Experiencing Les Miserables fills me up with emotion in the best way possible.
Creation
As someone who appreciates the arts and loves musical theatre, I love the act of creation. "Making something out of nothing" ~ There is something amazing about that. I love to create too, whether I am writing a blog post or essay, taking pictures, or crafting a collage, there is something very special about making something that wasn't there before. It produces a feeling of achievement and leaves something behind that wouldn't be there without you.
Exploration
I love to travel and visit cities, and one of my favorite things to do in a new place or somewhere I haven't been in a while is explore. I love to walk everywhere and discover things I've never seen. There is so much to see and do in life, and if I could, I would spend my life traveling the world (and seeing shows along the way). Exploration leads to understanding of other cultures, geography, people, etc.
Connection
Without connection, life would be...unbearable. Connecting with family, friends, strangers...as people, we're meant to be with other people. Moreover, connection is key to theatre. Actors need to connect with an audience. Connection is a very powerful feeling.
Expression
I think most everyone feels the "need to express, to communicate." We all have feelings, and every one has different means for sharing them. New musicals and plays are part of someone's form of expression. For me, this blog is a way to express myself. It's essential, and it can lead to amazing works of art.
Activity
If my month of September didn't make this point, I am person who keeps busy with lots of activites. Usually, when I don't have much going on, I am planning my next trip, my next show, my next dinner with friends ~ something. I have trouble understanding the idea of rest and relaxation. Even on vacation, I'm like the energizer bunny ~ I just keep going and going and going. We only have so much time, and I strive to make the most of every second I'm given.
Why do the above make me tick? They excite me. They energize me. They make me, me. Most of all they electrify me. Billy Elliot sang it best ~ "I can't really explain it. I haven't got the words. It's a feeling that I can't control. I suppose it's like forgetting, losing who you are. And at the same time something makes you whole...electricity, sparks inside of me. And I'm free, I'm free!"
~ LBD
Musical Theatre Quote of the Moment: "But then I feel it move me. Like a burning deep inside. Something bursting me wide open impossible to hide. And suddenly I'm flying, flying like a bird. Like electricity, electricity. Sparks inside of me. And I'm free I'm free" ~ Billy Elliot
Experience
Experiencing life, love, joy...living is about experiencing. I try to experience something joyful every day. My favorite experience is watching a musical. My favorite musical to experience is Les Miserables, not surprisingly. Experiencing Les Miserables fills me up with emotion in the best way possible.
Creation
As someone who appreciates the arts and loves musical theatre, I love the act of creation. "Making something out of nothing" ~ There is something amazing about that. I love to create too, whether I am writing a blog post or essay, taking pictures, or crafting a collage, there is something very special about making something that wasn't there before. It produces a feeling of achievement and leaves something behind that wouldn't be there without you.
Exploration
I love to travel and visit cities, and one of my favorite things to do in a new place or somewhere I haven't been in a while is explore. I love to walk everywhere and discover things I've never seen. There is so much to see and do in life, and if I could, I would spend my life traveling the world (and seeing shows along the way). Exploration leads to understanding of other cultures, geography, people, etc.
Connection
Without connection, life would be...unbearable. Connecting with family, friends, strangers...as people, we're meant to be with other people. Moreover, connection is key to theatre. Actors need to connect with an audience. Connection is a very powerful feeling.
Expression
I think most everyone feels the "need to express, to communicate." We all have feelings, and every one has different means for sharing them. New musicals and plays are part of someone's form of expression. For me, this blog is a way to express myself. It's essential, and it can lead to amazing works of art.
Activity
If my month of September didn't make this point, I am person who keeps busy with lots of activites. Usually, when I don't have much going on, I am planning my next trip, my next show, my next dinner with friends ~ something. I have trouble understanding the idea of rest and relaxation. Even on vacation, I'm like the energizer bunny ~ I just keep going and going and going. We only have so much time, and I strive to make the most of every second I'm given.
Why do the above make me tick? They excite me. They energize me. They make me, me. Most of all they electrify me. Billy Elliot sang it best ~ "I can't really explain it. I haven't got the words. It's a feeling that I can't control. I suppose it's like forgetting, losing who you are. And at the same time something makes you whole...electricity, sparks inside of me. And I'm free, I'm free!"
~ LBD
Musical Theatre Quote of the Moment: "But then I feel it move me. Like a burning deep inside. Something bursting me wide open impossible to hide. And suddenly I'm flying, flying like a bird. Like electricity, electricity. Sparks inside of me. And I'm free I'm free" ~ Billy Elliot
One Day More!
It's been a while since I've written...but a LOT has been going on. The highlights are: I officially started graduate school for an MS in arts administration, and I traveled to London, New York City, and Philadelphia. The best part is that come tomorrow, I will have seen 15 shows this month. New record!
In London, I managed to see 10 shows in 8 days, including Phantom of the Opera, War Horse, Ghost, Richard III, Wicked, Billy Elliot, Wizard of Oz, and Les Miserables. A wonderful, eclectic mix of shows. It was an ideal vacation.
Phantom of the Opera surprised me. I was lucky to see it with its 25th Anniversary Cast, starring John Owen Jones as the Phantom, Katie Hall as Christine, and Killian Donnelly as Raoul. Naturally, I was pleased to see a cast full of Les Mis alums. The show is truly stunning. The lavish music, set, and costumes have delighted audiences for a quarter of a century. When the chandelier rises as the show begins, you know you're in for a treat. I'd only seen touring productions in the past, and even then, I hadn't seen the show live in about 14 years. Nonetheless, the show will always hold a special place in my heart since it was the first musical I ever saw. This production made me realize why Phantom of the Opera is still on Broadway. It continues to amaze audience members, including me, after 25 years.
Another spectacular production I saw was War Horse. I was determined to see the show again in London even though tickets seemed impossible to get. While I had an odd view from a balcony, the resulting back ache was worth it. The show is quite different from the Broadway version. Even though the main storyline remains entact, the means of getting there is a bit different. Firstly, there is only a Song Man, no Song Woman. I really missed the Song Woman. The Song Man was incredible; I'd just been accustomed to hearing a woman's voice too. Secondly, when I read the play, I noticed the use of foreign languages in the story - cheifly German and French. However, on Broadway, the whole story is presented in English. This is not the case in the West End produciton - the show incorporates French and German where it should be used. Lastly, some of the subplots of the story, especially int he second act, were very different. Either way, the main characters - Joey and Albert - still melted my heart. I think the whole audience was practically in tears by the end of the show.
I also saw a very technically stunning show while I was in London - Ghost. I don't think I've ever seen as much technology incorporated into one show. Spiderman may have come close, but I think this show had more technology displayed in it. For the must part it worked, but at times, it was a bit distracting. I especially enjoyed the way the elements of Sam as a ghost were incorporated into the musical. I also appreciated the show's music, sung beautifully by Richard Fleeshman (Sam) and Caissie Levi (Molly).
Even though I could write a novel about the fantastic shows I saw in London, I'll move on to my personal favorite: Les Miserables. The show was the first show I saw this month on September 3, and it will conclude my month tomorrow, September 30. I don't think I will ever not want to see this show. The music, story, characters, themes, etc. get me every time. This time was particularly special, largely because Alfie Boe (Jean Valjean) and Matt Lucas (Thenardier) were in the cast. Alfie Boe's voice reverberated throughout the entire theatre. I've never felt Jean Valjean's words so strongly, so powerfully. Truly inspired performance. Meanwhile, I've never appreciated Thenardier's parts as much as when Matt Lucas performed them. Typically, you don't see actors ad lib in well-renowned shows, like Les Mis, but he did and pulled it off. I also must mention Caroline Sheen (Fantine) and Liam Tamne (Enjorlas) since their performances struck me as well. Caroline Sheen is already a well-established actress, but Liam Tamne is rather new to the scene. I predict he's going to be as huge as Ramin Karimloo in the future, especially since his voice is just as magical.
Upon returning from London, I had a brief trip to New York City, where I saw Mary Poppins, Spiderman, and Rent. Even though I've seen them all before, I'd never seen Mary Poppins on Broadway. That was a standout performance since it starred the original Mary and Bert, Laura Michelle Kelly and Gavin Lee respectively. What a treat! I love to hear the voices of those on the original cast album when I can. I'm still hoping to hear the original Jean Valjean, Colm Wilkinson, sing live one day.
Tomorrow, the final day of September, I'll conclude my month at Les Miserables. Talk about ending on a high note! I've seen the tour before, but some of the cast has changed, and I am looking forward to seeing a new take on the characters. I can't quite believe that in "one more dawn, one more day, one day more" September will be over. This memorable, musical-filled month has been inspiring.
~ LBD
Musical Quote of the Moment: “Take my love, for love is everlasting" ~ Les Miserables
In London, I managed to see 10 shows in 8 days, including Phantom of the Opera, War Horse, Ghost, Richard III, Wicked, Billy Elliot, Wizard of Oz, and Les Miserables. A wonderful, eclectic mix of shows. It was an ideal vacation.
Phantom of the Opera surprised me. I was lucky to see it with its 25th Anniversary Cast, starring John Owen Jones as the Phantom, Katie Hall as Christine, and Killian Donnelly as Raoul. Naturally, I was pleased to see a cast full of Les Mis alums. The show is truly stunning. The lavish music, set, and costumes have delighted audiences for a quarter of a century. When the chandelier rises as the show begins, you know you're in for a treat. I'd only seen touring productions in the past, and even then, I hadn't seen the show live in about 14 years. Nonetheless, the show will always hold a special place in my heart since it was the first musical I ever saw. This production made me realize why Phantom of the Opera is still on Broadway. It continues to amaze audience members, including me, after 25 years.
Another spectacular production I saw was War Horse. I was determined to see the show again in London even though tickets seemed impossible to get. While I had an odd view from a balcony, the resulting back ache was worth it. The show is quite different from the Broadway version. Even though the main storyline remains entact, the means of getting there is a bit different. Firstly, there is only a Song Man, no Song Woman. I really missed the Song Woman. The Song Man was incredible; I'd just been accustomed to hearing a woman's voice too. Secondly, when I read the play, I noticed the use of foreign languages in the story - cheifly German and French. However, on Broadway, the whole story is presented in English. This is not the case in the West End produciton - the show incorporates French and German where it should be used. Lastly, some of the subplots of the story, especially int he second act, were very different. Either way, the main characters - Joey and Albert - still melted my heart. I think the whole audience was practically in tears by the end of the show.
I also saw a very technically stunning show while I was in London - Ghost. I don't think I've ever seen as much technology incorporated into one show. Spiderman may have come close, but I think this show had more technology displayed in it. For the must part it worked, but at times, it was a bit distracting. I especially enjoyed the way the elements of Sam as a ghost were incorporated into the musical. I also appreciated the show's music, sung beautifully by Richard Fleeshman (Sam) and Caissie Levi (Molly).
Even though I could write a novel about the fantastic shows I saw in London, I'll move on to my personal favorite: Les Miserables. The show was the first show I saw this month on September 3, and it will conclude my month tomorrow, September 30. I don't think I will ever not want to see this show. The music, story, characters, themes, etc. get me every time. This time was particularly special, largely because Alfie Boe (Jean Valjean) and Matt Lucas (Thenardier) were in the cast. Alfie Boe's voice reverberated throughout the entire theatre. I've never felt Jean Valjean's words so strongly, so powerfully. Truly inspired performance. Meanwhile, I've never appreciated Thenardier's parts as much as when Matt Lucas performed them. Typically, you don't see actors ad lib in well-renowned shows, like Les Mis, but he did and pulled it off. I also must mention Caroline Sheen (Fantine) and Liam Tamne (Enjorlas) since their performances struck me as well. Caroline Sheen is already a well-established actress, but Liam Tamne is rather new to the scene. I predict he's going to be as huge as Ramin Karimloo in the future, especially since his voice is just as magical.
Upon returning from London, I had a brief trip to New York City, where I saw Mary Poppins, Spiderman, and Rent. Even though I've seen them all before, I'd never seen Mary Poppins on Broadway. That was a standout performance since it starred the original Mary and Bert, Laura Michelle Kelly and Gavin Lee respectively. What a treat! I love to hear the voices of those on the original cast album when I can. I'm still hoping to hear the original Jean Valjean, Colm Wilkinson, sing live one day.
Tomorrow, the final day of September, I'll conclude my month at Les Miserables. Talk about ending on a high note! I've seen the tour before, but some of the cast has changed, and I am looking forward to seeing a new take on the characters. I can't quite believe that in "one more dawn, one more day, one day more" September will be over. This memorable, musical-filled month has been inspiring.
~ LBD
Musical Quote of the Moment: “Take my love, for love is everlasting" ~ Les Miserables
Wednesday, August 24, 2011
Aftershocks
My friend reminded me today of “Aftershocks,” a beautifully written song from Next to Normal, that seemed quite appropriate to mention after experiencing the East Coast’s worst Earthquake since the 1940’s yesterday. The earthquake quite literally left me feeling shaken. Unexpectedly, the earthquake shook up my day and stirred up emotions, and today, I realized that this is a power theatre (when done well) also has.
Well executed plays and musicals can arouse audience’s emotions, making the audience feel something, and possibly, compel the audience to act in some way or another. Recently, I have fortunately been able to attend a number of well performed shows, including War Horse, Uncle Vanya and Wicked, that fit this description.
War Horse is an incredibly inspiring and moving play that really embodies the true meaning of hope. In fact, the slogan for the movie version directed by Steven Speilberg is "Hope Survives." I love this tagline. The play also depicts themes of love, determination, and courage. I left the play feeling like I had a new understanding of what true love is and what real hope looks like. This understanding reverberated within me long after the show had ended. Even today, almost two weeks later, I am still deeply touched by the story that unfolded before my eyes when I saw War Horse. To make the show even more poignant, there is exquisitely crafted musical numbers in the play. Every time the Song Woman, Song Man, or the Chorus sang, I got chills. The lyrics blend with the dialogue so well that I could argue this is more of a musical than a play. Either way, War Horse is a heartwarming story that will remain with you after the show ends.
Meanwhile, Uncle Vanya centers on the theme of “wasted life.” This provoked me to ponder what I am doing with my life and if I am making the right choices for how I live my life. Don’t we all strive to not waste our lives, but, instead, to find some sort of purpose or meaning that guides our lives and makes our lives worthwhile and valuable? This show confirmed my feelings that I need to take chances to uncover what I’m supposed to do with my life and to do my best to make the most of the time I am given here on Earth. Time is an incredibly valuable commodity in life, and it’s important to spend it wisely. Clearly, this show's after effects are still with me as well.
Another show that has impacted my life is Wicked. Based on the sold out shows and popularity of the phrase "defy gravity," I don't think I am alone. The show inspires me to follow my heart, reach for my dreams, and do my best to positively impact humanity. Those are excellant aftershocks to spread all over world. Apparently, enjoyable aftershocks equate to exceptional ticket sales.
Like earthquakes, theatre can cause aftershocks even if the main event has already finished. Many shows have influenced my life and made me who I am today. I am thankful for those experiences as their aftershocks have not only affected my past but will continue to shape my future.
~ LBD
Musical Quote of the Moment: “The memories will wane, the aftershocks remain...They moved me from your memory, I'm still there in your soul. Your life goes back to normal now, or so they all believe. Your heart is in your chest again, not hanging from your sleeve...The memories are gone. The aftershocks live on." ~ Next to Normal
Well executed plays and musicals can arouse audience’s emotions, making the audience feel something, and possibly, compel the audience to act in some way or another. Recently, I have fortunately been able to attend a number of well performed shows, including War Horse, Uncle Vanya and Wicked, that fit this description.
War Horse is an incredibly inspiring and moving play that really embodies the true meaning of hope. In fact, the slogan for the movie version directed by Steven Speilberg is "Hope Survives." I love this tagline. The play also depicts themes of love, determination, and courage. I left the play feeling like I had a new understanding of what true love is and what real hope looks like. This understanding reverberated within me long after the show had ended. Even today, almost two weeks later, I am still deeply touched by the story that unfolded before my eyes when I saw War Horse. To make the show even more poignant, there is exquisitely crafted musical numbers in the play. Every time the Song Woman, Song Man, or the Chorus sang, I got chills. The lyrics blend with the dialogue so well that I could argue this is more of a musical than a play. Either way, War Horse is a heartwarming story that will remain with you after the show ends.
Meanwhile, Uncle Vanya centers on the theme of “wasted life.” This provoked me to ponder what I am doing with my life and if I am making the right choices for how I live my life. Don’t we all strive to not waste our lives, but, instead, to find some sort of purpose or meaning that guides our lives and makes our lives worthwhile and valuable? This show confirmed my feelings that I need to take chances to uncover what I’m supposed to do with my life and to do my best to make the most of the time I am given here on Earth. Time is an incredibly valuable commodity in life, and it’s important to spend it wisely. Clearly, this show's after effects are still with me as well.
Another show that has impacted my life is Wicked. Based on the sold out shows and popularity of the phrase "defy gravity," I don't think I am alone. The show inspires me to follow my heart, reach for my dreams, and do my best to positively impact humanity. Those are excellant aftershocks to spread all over world. Apparently, enjoyable aftershocks equate to exceptional ticket sales.
Like earthquakes, theatre can cause aftershocks even if the main event has already finished. Many shows have influenced my life and made me who I am today. I am thankful for those experiences as their aftershocks have not only affected my past but will continue to shape my future.
~ LBD
Musical Quote of the Moment: “The memories will wane, the aftershocks remain...They moved me from your memory, I'm still there in your soul. Your life goes back to normal now, or so they all believe. Your heart is in your chest again, not hanging from your sleeve...The memories are gone. The aftershocks live on." ~ Next to Normal
Tuesday, August 9, 2011
No Day But Today
As you may have guessed, I have visited New York City to see the new, Off-Broadway production of Rent. Not only did the show give me chills (it was incredible!), but the show's themes of love and taking advantage of the time you have in life really resonated with me. I saw one of the last casts of the Broadway production, the National Tour (sadly without Anthony Rapp and Adam Pascal), and the film version of the show, but none of them moved me as much as this intimate, intense, and inspiring production.
Matt Shingledecker (Roger) recently said in an interview, "The true meaning of 'No Day But Today'...is about living life to the fullest...and it's about love and it's about just having a positive attitude in life." Our time on Earth is limited. As the show wisely proclaims, "forget regret or life is yours to miss." Those words hit me like a ton of bricks, but in a good way. I am starting the process of chasing after my dream. It's scary, but nothing has ever felt so right. Pursuing my dream to work in the world of theatre is my way of living life to the fullest so that I don't have regrets or fears holding me back from living every day as if it were my last.
Moreover, theatre is my passion. I love it. I had he pleasure of attending Marc Kudisch's Cabaret, What Makes Me Tick, during which he sang an encore: "Awake My Soul" by Mumford and Sons. Part of the song really stuck out to me: "where you invest your love, you invest your life." It's time for me to invest my life in my love - theatre. Life's too short to not at least try.
Lastly, while I'm on the topic of Rent, Adam Chanler-Berat (Mark) mentioned that Rent "redefines what we think of as wealth and I think...really the richness is...in the love that we have each other and...the communities that we make together." Love is the greatest gift we can receive. I love my friends and family, but theatre will always have a special place in my heart too. As theatre is a communal experience, I receive so much from each show I see. It brings me (and hopefully countless others) joy. During "La Vie Boheme," Mark explains, "the opposite of war isn't peace - it's creation," and theatre creates something in a moment of time that can never be replicated. It's of the moment and when it's over, you can't rewind the tape. Theatre provides me with experiences that enrich my life, and for that, I am truly grateful.
~ LBD
Musical Theatre Quote of the Moment: "To days of inspiration...making something out of nothing, the need to express - to communicate..." ~ Rent
Matt Shingledecker (Roger) recently said in an interview, "The true meaning of 'No Day But Today'...is about living life to the fullest...and it's about love and it's about just having a positive attitude in life." Our time on Earth is limited. As the show wisely proclaims, "forget regret or life is yours to miss." Those words hit me like a ton of bricks, but in a good way. I am starting the process of chasing after my dream. It's scary, but nothing has ever felt so right. Pursuing my dream to work in the world of theatre is my way of living life to the fullest so that I don't have regrets or fears holding me back from living every day as if it were my last.
Moreover, theatre is my passion. I love it. I had he pleasure of attending Marc Kudisch's Cabaret, What Makes Me Tick, during which he sang an encore: "Awake My Soul" by Mumford and Sons. Part of the song really stuck out to me: "where you invest your love, you invest your life." It's time for me to invest my life in my love - theatre. Life's too short to not at least try.
Lastly, while I'm on the topic of Rent, Adam Chanler-Berat (Mark) mentioned that Rent "redefines what we think of as wealth and I think...really the richness is...in the love that we have each other and...the communities that we make together." Love is the greatest gift we can receive. I love my friends and family, but theatre will always have a special place in my heart too. As theatre is a communal experience, I receive so much from each show I see. It brings me (and hopefully countless others) joy. During "La Vie Boheme," Mark explains, "the opposite of war isn't peace - it's creation," and theatre creates something in a moment of time that can never be replicated. It's of the moment and when it's over, you can't rewind the tape. Theatre provides me with experiences that enrich my life, and for that, I am truly grateful.
~ LBD
Musical Theatre Quote of the Moment: "To days of inspiration...making something out of nothing, the need to express - to communicate..." ~ Rent
Saturday, July 23, 2011
Go Go Go Joseph!
Musicals inspire me. Cheesy but true. I see all sorts of musicals whether they are Broadway, Regional, National Tour, Community Center, etc. productions. Last night, I had the special opportunity to see the McLean Community Players' production of Joseph and the Amazing Technicolor Dreamcoat at the McLean Community Center's Alden Theatre. I was blown away by the talent and artfulness displayed by the cast and creative team. I've seen a lot of shows there and I've enjoyed them all, but this was a truly amazing show full of heart. Watching Jacob and sons smoothly dance and harmonize, the narrator adeptly guide the story, and Joseph continually rise above tough times, excited my theatrical senses. I left the show feeling inspired about my chosen career path, and I pray I have the chance to be involved in projects like this in the future.
The voices were the most stunning I've ever heard at a community show. The leads, played by Kate Merryman (Narrator), a student at GMU, and Russell Silber (Joseph), a graduate of JMU's musical theatre program, displayed their strong vocal ability throughout the show. I was especially touched by Silber's rendition of the heartfelt song "Close Every Door."
Nonetheless, the show is really an ensemble production, and several members of the cast were able to shine throughout the evening. I was particularly impressed with Joseph's 11 brothers. Their harmonies and eclectic dance numbers revealed their individual talents and the power they have as a group to simultaneously provide comedic releif and bring joy to the audience. Listening to Andrew Lloyd Webber's music alone, I didn't like the songs "One More Angel in Heaven," "Those Canaan Days," or "Benjamin Calypso" but last night, I loved them. I now understand the country twang, French accent, and Jamaican twist utilized in those songs. I want to als0 thank directors Kevin and Pamela McCormack for their outstanding direction and Mike Scott for producing a satisfying, entertaining show.
To see a show at a community center feature this much talent is a special occurrence. The stars aligned with this particular the cast, crew, and creative team. They all deserve praise for their efforts. This isn't a Broadway production where those invovled are making a living by puttting their time and effort into creating this masterpeice. Those involved are involved because they love and appreciate musical theatre, and the audience could feel their joy and passion for what they are doing throughout the show. This show achieved what I hope to achieve eventually; it introduced new audiences to the arts, in particular musical theatre, and brought joy to others.
~ LBD
Musical Theatre Quote of the Moment: "May I return to the beginning. The light is dimming, and the dream is too. The world and I, we are still waiting, still hesistating. Any dream will do." ~ Joseph and the Amazing Technicolor Dreamcoat
The voices were the most stunning I've ever heard at a community show. The leads, played by Kate Merryman (Narrator), a student at GMU, and Russell Silber (Joseph), a graduate of JMU's musical theatre program, displayed their strong vocal ability throughout the show. I was especially touched by Silber's rendition of the heartfelt song "Close Every Door."
Nonetheless, the show is really an ensemble production, and several members of the cast were able to shine throughout the evening. I was particularly impressed with Joseph's 11 brothers. Their harmonies and eclectic dance numbers revealed their individual talents and the power they have as a group to simultaneously provide comedic releif and bring joy to the audience. Listening to Andrew Lloyd Webber's music alone, I didn't like the songs "One More Angel in Heaven," "Those Canaan Days," or "Benjamin Calypso" but last night, I loved them. I now understand the country twang, French accent, and Jamaican twist utilized in those songs. I want to als0 thank directors Kevin and Pamela McCormack for their outstanding direction and Mike Scott for producing a satisfying, entertaining show.
To see a show at a community center feature this much talent is a special occurrence. The stars aligned with this particular the cast, crew, and creative team. They all deserve praise for their efforts. This isn't a Broadway production where those invovled are making a living by puttting their time and effort into creating this masterpeice. Those involved are involved because they love and appreciate musical theatre, and the audience could feel their joy and passion for what they are doing throughout the show. This show achieved what I hope to achieve eventually; it introduced new audiences to the arts, in particular musical theatre, and brought joy to others.
~ LBD
Musical Theatre Quote of the Moment: "May I return to the beginning. The light is dimming, and the dream is too. The world and I, we are still waiting, still hesistating. Any dream will do." ~ Joseph and the Amazing Technicolor Dreamcoat
Saturday, July 16, 2011
Why "The Theatre Junkie"?
Why call my blog "The Theatre Junkie"? Two reasons: (1) I suffer from theatromania and (2) I see as many shows as I can. Sometimes, this means I see one show a month, one show a week, or four shows in one weekend. As a soon-to-be part-time student who also works forty(some) hours a week, theatre somtimes doesn't get as much attention as I would like. Thankfully, this summer, I am seeing at least one show a week (a personal preference).
As hard as it may be to believe, I do have a life outside of theatre. Even though I am a self-proclaimed "theatre junkie," I don't like the words "obsessed" or "addicted." I think they give the wrong idea. Despite the various meanings of junkie, I am not dependent on theatre. I can be happy when I am not seeing a show or haven't seen a show in a while. Does my life include a large number of theatrical events? Yes, but that's because I love theatre and theatre delights and inspires me. Here's the definition of a junkie that I like: a person with a compulsive habit. Two definitions for compulsive are (1) driven to do something and (2) powerfully interesting. Consequently, when I call myself a "theatre junkie" that's because I am driven to see shows (especially musicals), and I find theatre powerfully interesting.
~ LBD, a devoted fan of theatre
Musical Theatre Quotes of the Moment:
"Like a comet pulled from orbit as it passes a sun. Like a stream that meets a boulder halfway through the wood. Who can say if I've been changed for the better? But because I knew you, I have been changed for good." ~ Wicked
"I can't really explain it. I haven't got the words. It's a feeling that you can't control. I suppose it's like forgetting, losing who you are, and at the same time, something makes you whole." ~ Billy Elliot
As hard as it may be to believe, I do have a life outside of theatre. Even though I am a self-proclaimed "theatre junkie," I don't like the words "obsessed" or "addicted." I think they give the wrong idea. Despite the various meanings of junkie, I am not dependent on theatre. I can be happy when I am not seeing a show or haven't seen a show in a while. Does my life include a large number of theatrical events? Yes, but that's because I love theatre and theatre delights and inspires me. Here's the definition of a junkie that I like: a person with a compulsive habit. Two definitions for compulsive are (1) driven to do something and (2) powerfully interesting. Consequently, when I call myself a "theatre junkie" that's because I am driven to see shows (especially musicals), and I find theatre powerfully interesting.
~ LBD, a devoted fan of theatre
Musical Theatre Quotes of the Moment:
"Like a comet pulled from orbit as it passes a sun. Like a stream that meets a boulder halfway through the wood. Who can say if I've been changed for the better? But because I knew you, I have been changed for good." ~ Wicked
"I can't really explain it. I haven't got the words. It's a feeling that you can't control. I suppose it's like forgetting, losing who you are, and at the same time, something makes you whole." ~ Billy Elliot
Wednesday, March 2, 2011
Welcome to The Theatre Junkie
Welcome to my blog. My entire life I've had a passion for theatre, in particular musical theatre. While for some, this passion may dim over the years, for me, it's grown into a love so strong that I've decided to devote my life to the arts. As a college graduate with a business administration degree working in the financial services industry, most of my peers are going on to get their MBAs. However, that didn't sound like a degree worth my time or effort since my interests have always been arts related.
I was the child who was never successful at sports but never cared because I was way more excited to perform after school. I always wanted to grow up and work in a theatre. Although it took some time for me to realize that my dream could be achieved, I finally decided life was too short for me not to pursue it, and I am on my quest for a career in arts administration. The journey begins with the start of graduate school this Fall. Upon getting into the program of my choice for an MS in Arts Administration, I wanted to start this blog to chronicle my assignments, theatrical events, and stories along the way to pursuing my dream: to work at a theatre. Ideally, I would eventually become a part of senior management, become President, or become a part of a Board at a theatre, but I'm open to where life takes me in this field. With a mix of determination, devotion, and hesitation, I'm finally ready to begin this adventure.
~ LBD
Musical Theatre Quote of the Moment: "In my life, there are so many questions and answers that somehow seem wrong. In my life, there are times when I catch in the silence the sigh of a faraway song. And it sings of a world that I long to see. Out of reach, just a whisper away, waiting for me." ~ Les Miserables
I was the child who was never successful at sports but never cared because I was way more excited to perform after school. I always wanted to grow up and work in a theatre. Although it took some time for me to realize that my dream could be achieved, I finally decided life was too short for me not to pursue it, and I am on my quest for a career in arts administration. The journey begins with the start of graduate school this Fall. Upon getting into the program of my choice for an MS in Arts Administration, I wanted to start this blog to chronicle my assignments, theatrical events, and stories along the way to pursuing my dream: to work at a theatre. Ideally, I would eventually become a part of senior management, become President, or become a part of a Board at a theatre, but I'm open to where life takes me in this field. With a mix of determination, devotion, and hesitation, I'm finally ready to begin this adventure.
~ LBD
Musical Theatre Quote of the Moment: "In my life, there are so many questions and answers that somehow seem wrong. In my life, there are times when I catch in the silence the sigh of a faraway song. And it sings of a world that I long to see. Out of reach, just a whisper away, waiting for me." ~ Les Miserables
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